by Marco Yan
BOOK CRIME
Stuck on the wall, a receipt from a second-hand bookstore— its bug-bitten corners curling inward to touch
the address in block letters, the price inked with random digits and the barcode stagnant in the middle, all
faded so consistently with traces of that book and its singular purpose, where it came from and where
it went become insignificant. Still the slip is a solid proof of a flash in summer, that small human moment
when I approached the shelf to pick a beloved title for a student in my English class. I wasn't aware of the way
I slid my slow finger along its erect spine, how I accidentally dabbed my fluid on the pink flyleaf
as I flipped through a story. I might have closed my eyes smoothing the voluptuous arcs formed on a page by water
blotches from way back when. I might have rubbed my palm against its back cover, my heat lingered, spread.
After all, it was a gift which led us to nothing more, much like this crime,
now blurred, and still blurring.
THE WAY BACK
When I drift off in my room I'm rowing the boat that defies my oars' motions. The search for land begins with artifacts floating like buoys in quiet corners. In no particular order, the pen I used to twirl in the past levitates on the desk like a toothpick in a bowl of water, misused by ancient travelers who looked for north, a collage of photographed faces hoists a pillar of signposts, arrows pointing everywhere, and there the carved wrinkles spread on my forearm shine like a map. I remember the ink, thinking where the treasure will be. How strange, when the boat crashes to a green lagoon, what were so dear to me gone like shards of a star, I'm content with loss, with the marks it leaves behind on the soaked blue sand, close to the shapes of my naked feet, so I walk on, believing it is the way back home. |