by Margaret Chula
PINK PEONY
When I was born, Mother etched my name on the sole of my right foot with her sewing needle, dipped in ink. In my sixth winter, she bound my feet. The bitter cold numbed the pain of rotting skin and broken bones. Shrunken to the size of my palm, my feet were not shaped like the ideal lotus bud, but more like watermelon seeds. The day Mother sold me to the butcher’s son, she planted five willows by our gate to remind me to bend with the wind. Now, at sixty, I am holding a mirror to the soles of my feet furrowed like a laborer’s, dirt embedded in the cracks, the characters for Pink Peony scarred, but still visible. My dreams of reuniting with Mother are buried with her. When spring comes, I will hide in the mountains living on pine needles, berries, and rainwater. Like Mao Nu, I will grow fur on my arms and legs. In summer, I’ll retrace the characters for Pink Peony on the sole of my foot with charcoal. When I die, I will leave a pile of white bones that no one will gather.
INSIDE THE CURTAINED CAGE
I. A courtesan opens a red lacquerware chest caresses the pleats on her dressing gown.
A slither of memory escapes from the jade bracelet in her jewelry box.
Her breasts rise and fall, while her tabby cat trifles with a dazed moth. Where is her suitor?
The door to her chamber slides open— a cricket caught inside the night.
II. Morning song. Her lips are swollen like fermented berries.
From her throat, the sigh of a cicada as it releases its carapace.
Carp circle the fishpond with mouths wide open.
Her breasts stung with kisses, she turns back the bedclothes.
He came and went without a word. Scent of wisteria on the wings of bees.
III. The nightingale silent inside its curtained cage.
A frenzy of raindrops against the window sash,
as languid fingers thrum the dusty lute strings.
Her long, curved fingernail scoops out the opium pipe.
Curled up in a dark corner the cat sleeps all day. |