by Kate Rogers
After "The Blood of the Children" by Shirley Geok-lin Lim
My grief was asleep until the students camped out on the highway that crossed the city, swayed to Imagine—that song I play my students to teach the first conditional, that song— about hope. My grief was asleep until they did homework on the pavement, danced all night, eyes open in the dark. My grief was asleep until I saw my students gassed by police who used to take their hands, lead them home when they were lost. My grief was asleep until clouds drifted down from the mountains, submerged the city. Two girls who loved words in my classroom, tasted fog on the road, on the subway platform. They couldn’t breathe. I saw thirteen year olds, who wanted to speak to their leaders and be heard. I saw eighteen year olds pushed hard against metal barriers. I could not sleep when they were beaten by gangs of men who think children must taste the bitter iron of their own blood. I saw the students link arms and call, Do You Hear the People Sing? My grief was awake, and I was weeping for my own loss. After the tents and umbrellas were cleared, and cars took back the road I accepted Cantonese in my English classroom, stopped joking about being the language police. My grief was awake. For fifteen years I’d borrowed children to fill my heart for the ones I’d lost: the termination my lover replaced with a puppy the day I returned to our house alone in a taxi; then the fetus lost on a mountain path. My punishment will be to lie awake, count the students I’ve taught instead of sheep, so many asking questions unwelcome in the country they inherit. My punishment will be to leave this city, but never stop dreaming of the children I lost. Editors' note: An earlier and shorter version of "The Borrowed Children" was published in Eastlit (January 2016). Kate Rogers's new poetry collection, Foreign Skin, debuted with Toronto's Aeolus House Press in 2015. In the summer of 2016, she was a featured reader for the Toronto poetry reading series, Hot Sauced Words; at the League of Canadian Poets new members reading, Toronto, and at the Kingston, Ontario, ArtFest. Rogers is also co-editor of the OutLoud Too anthology (MCCM 2014) and the world poetry anthology, Not a Muse: the Inner Lives of Women (Haven 2009). Her poetry has appeared in The Guardian, Quixotica: Poems East of La Mancha, Eastlit, Asia Literary Review, Cha, Morel, The Goose: a Journal of Arts, Environment and Culture, Kyoto Journal, ASIATIC: the Journal of the Islamic University of Malaysia, Orbis International and Contemporary Verse II. [ Cha profile] |