by Mani Rao
Star-crossed
You hold on to this cloud, I hold on to that Shouting the shapes over each other’s voices Everything turns to water, darling Tired sleep
The riddle of the moon has been busted Tell me again again again again why She casts herself on Reality’s constant insatiable shift
Why we take to terraces, gardens Wherever we can fly silhouettes And turning our heads, slightly, in love Try on the moon ring it never fits
Your face, the shadow of a witch
No matter how much fed Hound moon is back like appetite
Again again again
Sleep on the flatbed of stars Sleep on history Sleep in the shape of Pegasus, Orion, Aquila, Cygnus Heaving net
Someone always playing at Vega
(First published in Meanjin, April 2007, Australia.) Mutations
Those love cannot leave alone Love those, cannot leave alone Cannot love, leave those alone Leave those, cannot love alone Those cannot leave love alone
En route
Hiding in a tree trunk Looking through the hollows Firs in new wedding gowns Fire budding Christmas trees
It was the trees jangling interior bangles The tigers striped past silently Rugs on the floor of salvation wood
The first time I saw ginseng I understood the body to be root Until a slice of what I could only call steakwood
The river swears it’s blue, will carry you across Soon as you leap in, fast moving coils Who said the python’s dead
Where is the hatch Somewhere here but giant roots flowed over Is it sealed Bloody me Will we keep
Gone too far, free out at sea, why does the water wave as if pining for the ties of Shiva’s braids? The tangles at the fountainhead. From here, the view of the dance.
(First published in Fourth River, Vol2, 2006 USA.)
The Void Plate
Silent in the centre of the web of analogies, the indescribable one.
I positioned myself at a safe distance between God and Satan, tempting both.
First the priest violated me. Delectable. His curiosity forced me to relinquish my self. I swept the dust of sex out of sight under my heavy orange drapes. It was not easy to be celibate, until I was celibate.
When the gates of spring squeaked in the mouths of birds, I put out a hand, sunflower seeds embedded in my flesh. A bare-breasted mother re-filled the feeder with liquid suet. Fat River Love. Fire Heart.
Tongue swelled and stayed low on the floor of my mouth like a numb fish.
Tongueless I could only make the haaa and the ehhhh and the aah of hallelujah: if my tongue could arch, it would have flicked l, blow ooh-yeah.
I could do the ah and the oh of aum: if my lips were there they would have moved in the implication of an mmm.
In my hot sand chest, a tide of breath. Sometimes a pause, breathless, as if waves waited for waves that crashed before them to finish, aaaah___allllaaah.
My creatures ran faster to the fire, leaping into it. My trees nailed themselves to the ground when they heard you would pass. Soot-faced, they stood, uncurling fruit-drops.
O the knots on Osage orange for fire to suckle.
I could not feed the fire considering it untouchable. My only way was through it. The only way to knowledge is through God, I had to say. And What, is God? she had to say. God is the Way.
Shlip shlop shlip shlop Moored cord Foghorn
Darling, I hear you – now show yourself! I stop in the middle of a song about you to take in your fragrance. That you put strings in the mud-instrument, and waited, and waited for it to stumble upon them.
The plate is the void. Engraving zigzag. Fire the flare of sound through it. Voice ashen.
Is this writing? Then where is my tongue? I’ve abandoned the pail and pitched my tent on seesaw water.
What if I am my own witness? My ears believe each other.
After reading the poem I asked, "what have you understood." She deleted the poem.
Cathedral silence. |