by Mary-Jane Newton
To Peter Weiss or Albert Blades Here in my confinement, extinguished lights draw close the coat of night insects, which brings to me the loss of things I barely possessed. You know, your absence weighs heavy — adds years on top of those that I count mine.
This dark here may or may not concertina time: I observe the sea of glow-worms spiralling still, spiralling clearly and ever more beautifully into the proximity ... the distance ... the proximity again. After all, memories, like moths,
are drawn unto the very flame that burns their wings. I feel my fever's heat failing this moment, so full of expectation, no longer stripping bare the walls. I see you lift yourself, drooping, hairy dusk; I imagine another radiance awaits you.
I would prefer things darker in my cage, and so too the vermin. But my years unfold me now, they unfurl me like an old, ragged banner whose long arm reaches out to the horizon behind these dark and angry bars — and so I watch it flutter gaily now, downwind. Old Lovers
We are old lovers now. Like rancid butter we drip all over the sheets. We smile at the mutiny of our bodies and we lie, holding hands. We know we both remember the full moons during which we chased our scents like unruly hounds, during which we burnt ourselves up like cheap candles, during which we played gently each other like instruments, read each other like Braille, watched each other with closed eyes. Now we lie here, at once regretful and reconciled, holding hands under the duvet. Editors' note: Mary-Jane Newston's first collection of poetry, Of Symbols Misused, will be published by Proverse Hong Kong in March 2011. |