by Paolo Tiausas
A scattering of dumplings on a major road,
my mother says, what a waste, and I think what
a painful experience—the delivery boy in the story,
I do not know him, of course, I want to imagine
another scene. Meat in soy sauce and tomato paste
in plastic bags the size of a palm, neatly tied, neatly
fit in stomach, fit in a table of four this group of eight
with matching polo shirts, lively chatter before water
spills and, wait, I was going for something lighter
again. A scattering of dumplings on a major road,
this baby kitten the size of a hand with its fur soaked
in dirt, I tear my gaze away, what if it doesn’t last today?
I can only see too much, depending on the time of day,
but sometimes, the way lights bounce from car to cement
to building edge, it reminds me of a city built on soil,
except without it, except instead of the humming radio
I hear the urgent breathing, pacing of a sleeping dog,
and the hammocks are tied between adjacent trees but
there are only fruit and cigarette vendors under a bridge.
Again. I want to describe the afternoon. I love the city
sometimes I keep forgiving the animal turn and snide
I keep running into, in line for a tricycle going home and
this shadow of a citizen can’t help but say, when I say
go you should just go, stop holding up the line, and I
bite my tongue too hard I taste iron and a tinge of smoke,
and for a second, the dumpling is in the air, the dumpling
hangs in a cloud of exhaust, and I am back with mother,
telling her, what a waste, but I wasn’t that hungry anyway.
Paolo Tiausas writes from Pasig City in the Philippines. He is the author of the poetry chapbook Isang Taong Maghapon. He has published his poetry in Kritika Kultura, Likhaan: The Journal of Contemporary Philippine Literature, Rambutan Literary Journal, Heights, SOFTBLOW, Plural: Online Prose Journal, and The Philippines Free Press. He is currently working as a freelance writer and layout artist.